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ADJ•ective Composers' Collective


Photo: Frank Miller, Copyright © 2015

The music of American composer Andrea Reinkemeyer explores intersectionality, natural phenomena, and grief through “a reverent sound world that hovers just above the brink of silence” (Second Inversion) and expresses “a gamut of emotions... from reverence and supplication to mournfulness and despair” (textura); it is “clever, funky, jazzy and virtuosic” (Schenectady Daily Gazette); “hauntingly melodic and fun, dancing and almost running its way forward... whimsical” (Fanfare Magazine). 

Ms. Reinkemeyer has enjoyed recent commissions from: League of American Orchestras and Louisiana Philharmonic Orchestra with generous support from the Virginia B. Toulmin Foundation, Post-Haste Reed Duo, Idit Shner, In Mulieribus, Lacroute Arts Series at Linfield College, Rodney Dorsey for the University of Oregon Wind Ensemble and University Singers, Albany (NY) Symphony Orchestra, H. Robert Reynolds and The Detroit Chamber Winds & Strings, Jeffrey Heisler for the Primary Colors Trio, Miller Asbill and the Texas Tech University Concert Band, The Wild Swan Theater, Iowa Music Teachers’ Association, and many performers and visual artists. Upcoming projects include new works for: a wind band consortium commission led by Brant Stai and the Sherwood High School Bands, Fear No Music, and flutist Abigail Sperling with generous support of the Oregon Arts Council.

Andrea is a member of the ADJ•ective Composers’ Collective and has enjoyed performances of her works nationally and internationally, by the American Composers Orchestra Underwood New Music Readings, Sound Icon, North-South Consonance Chamber Orchestra, fEAR no MUSIC, Fire Wire Ensemble, Great Noise Ensemble, Thailand International Composition Festival, University of Michigan Symphony Orchestra and Concert Band, Northern Arizona University Percussion Ensemble, Pacific Rim Gamelan, and new music ensembles at: Bowling Green State University, University of Wisconsin-Whitewater, and Susquehanna University. Her electroacoustic compositions have been performed on the SEAMUS Conference, Spark Electronic Music Festival, University of Central Missouri New Music Festival, Electronic Music Midwest Festival, and Threshold Electronic Music Festival. Andrea’s music has been recorded by In Mulieribus, A/B Duo, Post-Haste Reed Duo, and Idit Shner.

Dr. Reinkemeyer enjoys exploring music with students of all ages. In 2014, she joined the faculty of Linfield College in McMinnville, Oregon as Assistant Professor of Music Composition & Theory. Previously, she served as a Part-time Lecturer in the Mahidol University International College, in Salaya, Thailand (2011-12) and as an Adjunct Assistant Professor of Composition, Theory and Technology at Bowling Green State University, Ohio (2005-10). Reinkemeyer has been the Composer-in-Residence with the: Michigan Philharmonic’s, “The Composer in Me!” Education Pilot Program (2010-11), American-Romanian Festival’s Fusion Project (2011), and Burns Park Elementary School (2004, 2005, 2010). She has mentored public school students through outreach programs with the Detroit Chamber Winds & Strings (2007) and Michigan Mentorship Program (2002, 2004). Her work with young musicians has been supported by a Meet the Composer/MetLife Creative Connections Grant.

Reinkemeyer holds degrees in music composition from the University of Michigan (MM 2001, DMA 2005) and University of Oregon (BM 1999). Her primary composition teachers include: Michael Daugherty, Bright Sheng, Evan Chambers, Susan Botti, James Aikman, Robert Kyr, Jack Boss and Harold Owen. She was the 2018-19 recipient of the Julie Olds and Thomas L. Hellie Faculty Award for Creative Achievement at Linfield College. While a student, her work was recognized with the prestigious Rackham Predoctoral Fellowship, Regents’ Fellowship, Christine Rinaldo Memorial Scholarship, Graduate Student Instructor position in electronic music composition, the Ruth Lorraine Close Musical Fellows and Outstanding Creativity in Composition Award.

Born and raised in Oregon, she has also lived in Ann Arbor, Michigan and Bangkok, Thailand.



  • Bio: Word Doc or PDF
  • Formal Headshot: Color, B&W (Photo: Frank Miller, Copyright © 2015)
  • Informal Headshot: Laughing (Photo: Dana Linnane, Copyright © 2009)


Recent Highlights:

April 17, 2019 - CD: Idit Shner, Minerva on Origin Classical
Saturation for Soprano Saxophone and Piano (2018)
Commissioned by Idit Shner
March 2019 - CD: In Mulieribus, Cycles of Eternity
From Cycles of Eternity (2017)
for SSSSAA (Henrietta Cordelia Ray, poet)
Commissioned by In Mulieribus in Celebration of their Tenth Concert Season; Anna Song, director
February 2019 - CD: Post Haste Reed Duo, Donut Robot! on Aerocade Music
in the speaking silence for Alto Saxophone and Bassoon
Commissioned by Post-Haste Reed Duo
January 10-12, 2019: Premiere Performances
Water Sings Fire for Orchestra
Commissioned by the League of American Orchestras and the Louisiana Philharmonic Orchestra with generous support of the Virginia B. Toulmin Foundation. (info)
Louisiana Philharmonic Orchestra (info)
Carlos Miguel Prieto, Music director and conductor
September 2016 - CD: A/B Duo, Variety Show on Aerocade Music
Wrought Iron for Flute and Percussion (2012)
Commissioned by the Albany (NY) Symphony