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Photo: Frank Miller, Copyright © 2015

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The music of American composer Andrea Reinkemeyer explores “a
reverent sound world that hovers just above the brink of silence” (Second Inversion) and expresses “a gamut of emotions... from reverence and supplication to mournfulness and despair” (textura); it is “clever, funky, jazzy and virtuosic” (Schenectady Daily Gazette), “luminous” (Fanfare Magazine), enchanting” (International Choral Bulletin), and “hauntingly melodic and fun, dancing and almost running its way forward... whimsical” (Fanfare Magazine). Her current musical explorations focus on intersectional feminist narratives, natural phenomena, home and grief.

Reinkemeyer’s music is distributed by the ADJ•ective Composers’ Collective and featured on recordings by: In Mulieribus, Idit ShnerA/B Duo, and Post-Haste Reed Duo. Upcoming projects include new works for flutist Abigail Sperling with generous support of the Oregon Arts Commission and an opera scene for Rhymes with Opera. Recent commissions include: League of American Orchestras and Louisiana Philharmonic Orchestra with support from the Virginia B. Toulmin FoundationAlbany (NY) Symphony Orchestra, H. Robert Reynolds and The Detroit Chamber Winds & Strings, Fear No Music, Lacroute Arts Series at Linfield College, Rodney Dorsey for the University of Oregon Wind Ensemble and University Singers, a thirteen-school wind band consortium led by Brant Stai and the Sherwood High School Wind Ensemble, Miller Asbill and the Texas Tech University Concert Band, The Wild Swan Theater, Iowa Music Teachers’ Association, Jeffrey Heisler for the Primary Colors Trio, and many performers and visual artists. Her works are regularly performed nationally and internationally; featured performances include: the American Composers Orchestra Underwood New Music Readings, North-South Consonance Chamber Orchestra, Great Noise Ensemble, Thailand International Composition Festival, and conferences of the Society of Composers, Inc. (SCI) and Society of Electro-Acoustic Music in the United States (SEAMUS). 

Dr. Reinkemeyer enjoys exploring music with students of all ages. In 2014, she joined the faculty of Linfield University in McMinnville, Oregon, where she serves as Associate Professor of Music (Composition & Theory) and Gender Studies. Previous positions include: Part-time Lecturer in the University of Oregon School of Music and Dance (2018), Mahidol University International College, in Salaya, Thailand (2011-12) and an Adjunct Assistant Professor of Composition, Theory and Technology at Bowling Green State University, Ohio (2005-10). Reinkemeyer has been the Composer-in-Residence with the: Michigan Philharmonic’s, “The Composer in Me!” Education Pilot Program (2010-11), American-Romanian Festival’s Fusion Project (2011), and Burns Park Elementary School (2004, 2005, 2010). She has mentored public school students through outreach programs with the Detroit Chamber Winds & Strings (2007) and Michigan Mentorship Program (2002, 2004). Her work with young musicians has been supported by a Meet the Composer/MetLife Creative Connections Grant.

Dr. Reinkemeyer holds degrees in music composition from the University of Michigan (MM and DMA) and University of Oregon (BM). Her primary composition teachers include: Michael Daugherty, Bright Sheng, Evan Chambers, Susan Botti, James Aikman, Robert Kyr, Jack Boss and Harold Owen. While a student, her work was recognized with the prestigious Rackham Predoctoral Fellowship, Regents’ Fellowship, Christine Rinaldo Memorial Scholarship, Graduate Student Instructor position in electronic music composition, the Ruth Lorraine Close Musical Fellows and Outstanding Creativity in Composition Award. In recognition of her work, Reinkemeyer was awarded the Julie Olds and Thomas L. Hellie Faculty Award for Creative Achievement at Linfield College in 2019.

Born and raised in Oregon, she has also lived in Ann Arbor, Michigan and Bangkok, Thailand.

Downloads:

  • Bio (different lengths):  Google doc
  • Curriculum vitae, Composer: Google doc
  • Formal Headshot: Color, B&W (Photo: Frank Miller, Copyright © 2015)
  • Informal Headshot: Laughing (Photo: Dana Linnane, Copyright © 2009)

RECENT HIGHLIGHTS:

 WORK:

2020: Tenured and promoted to the rank of Associate Professor of Music Composition and Theory at Linfield University

2019: awarded the Julie Olds and Thomas L. Hellie Faculty Award for Creative Achievement (Linfield)

PREMIERE PERFORMANCES:

January 17, 2020
Smoulder for Wind Ensemble (2019)
Sherwood High School Wind Ensemble
Brant Stai, conductor

September 23, 2019
Opening Up for Narrator and String Quartet (2019)
Commissioned by Fear No Music
Repeat Performance March 17, 2020 at Linfield College

January 10-12, 2019
Water Sings Fire for Orchestra
Commissioned by the League of American Orchestras and the Louisiana Philharmonic Orchestra with generous support of the Virginia B. Toulmin Foundation. (info)
Louisiana Philharmonic Orchestra (info)
Carlos Miguel Prieto, Music director and conductor
 CD RELEASES: 
Idit Shner: Minerva on Origin Classical (2019)
featuring Saturation for Soprano Saxophone and Piano (2018)
Commissioned by Idit Shner


In Mulieribus: Cycles of Eternity (2019)
featuring From Cycles of Eternity (2017)
for SSSSAA (Henrietta Cordelia Ray, poet)
Commissioned by In Mulieribus in celebration of their tenth Concert Season; Anna Song, artistic director


Post-Haste Reed Duo: Donut Robot! on Aerocade Music (2019)
featuring 
in the speaking silence for Alto Saxophone and Bassoon
Commissioned by Post-Haste Reed Duo


A/B Duo: Variety Show on Aerocade Music (2016)
featuring Wrought Iron for Flute and Percussion (2012)
Commissioned by the Albany (NY) Symphony